Sunday, March 19, 2017

Anna Dressed in Blood

Anna Dressed in Blood is the first book in Kendare Blake's Anna series (although there are only two books so far, so it may remain a duology, I'm not sure).  

Theseus Cassio (Cas for short) is not a typical teenage boy, by any definition of the word "typical."  He has taken over the family business - dispatching murderous ghosts from off this earthly plane.  This work has the family move frequently from place to place, all over the world, wherever the latest legitimate tip sends them; this time, they've followed a tip to Thunder Bay, Ontario, where Cas intends to find and "kill" the ghost known as Anna Dressed in Blood, a teenage girl who was found murdered in the 1950s, and whose ghost has been busy literally ripping apart  anyone unfortunate enough to set foot in her house since.

For Cas, this case feels different from the start, and his instinct proves true when Anna turns out to be unlike any ghost he's yet encountered.  Will he be able to finish the job he came here to do?


I got this book back when it was new and making its initial rounds in the book blog community, but I only just got around to reading it; the premise and the cover art really drew me in.  I enjoy paranormal fiction and ghosts, so this seemed right up my alley.  For the most part, it didn't totally disappoint.

Thursday, March 9, 2017

There's Money Where Your Mouth Is

There's Money Where Your Mouth Is by Elaine A. Clark is as subtitled:  A Complete Insider's Guide to Earning Income and Building a Career in Voice-Overs.  In only 23 chapters, Clark covers everything a beginner to voice-over could possibly want or need to know, from simply what voice-over is, to recording tips and producing a quality demo reel, to working with an agent and the differences between union and non-union work.  I have the 3rd edition of this book.

If you've ever read anything about working professionally in voice-over, then a lot of the information in Clark's book will be a review for you, but that isn't a bad thing - fundamentals are always important to remember, no matter the topic, and the way Clark breaks down each aspect of the field makes it simple to learn even if you're just skimming through instead of properly reading it.

Where this book truly shines is that it is so comprehensive as to include a variety of detailed copy samples for the reader to practice the concepts and tips Clark discusses.  In books like this, I always prefer to be given that sort of content; I'm not much of a creative type, in that I would never know what to come up with if I had to write my own copy to practice with.  It would just feel silly and disingenuous, which pretty much defeats the purpose.  Besides, I'm not a professional in the field - Clark has already made a successful career in voice-over, so I can trust that copy samples she provides are representative of what one would see when booking a job. 

Sunday, March 5, 2017

Pride and Prejudice and Zombies

I am back from the longest hiatus ever, and the first book I'd like to share about is Pride and Prejudice and Zombies, by Seth Grahame-Smith (and, of course, our friend Jane Austen).  I'm pleased for this to be the first book I review coming back, as it's one I truly enjoyed.  

A mysterious plague has befallen the nation, so rather than the Napoleonic Wars, the country is battling against the rising dead; the sisters Bennet are trained (and well proficient) in the deadly arts, and although they studied in China rather than the more fashionable Japan, their prowess is nigh incomparable, and they are tasked with the defense of their home at Longbourn and the surrounding neighborhood - until such time as they each marry, as upon taking a nuptial vow, their duty will shift from crown to husband.

I don't think this book needs much more introduction or explanation of the premise than that, since it has been made into a movie, so let's just get right to it, shall we?  As with Sense and Sensibility and Sea Monsters, when I originally bought this book, I wasn't sure whether I'd be going into it with mixed feelings or what, but after having read that, I went into this with much more enthusiasm from the start.  Even though the two novels have different authors, they have a very similar feel, and both Grahame-Smith and Winters have done an equally commendable job of weaving the new elements in with the original stories in a way that makes these books hold their own:  you don't need to have read the original works to understand or appreciate these as stand-alone novels (although I highly recommend that you do read Austen's, because she was a treasure and her collective work is a gift).